'Not necessarily mahler': Remix, samples and borrowing in the age of wiki

Contemporary Music Review

Volume 33, Issue 2, 4 March 2014, Pages 128-147

 (Article)

Barham, J. 

 

University of Surrey, United Kingdom 

View references (40)

Abstract

This article examines philosophical and creative aspects of digital musical culture in the context of the Berlin Philharmonic's 2011 open competition to create remixes of Mahler's First Symphony. Issues of social mediation, hybridity, history, textuality, sampling and borrowing raised by the submitted entries are investigated with reference to theories of Bourriaud, Deleuze, Genette and Goodman. © 2014 Taylor & Francis.

Author keywords

Borrowing; Bourriaud; Goodman; Mahler; Remix; Sampling

ISSN: 07494467Source Type: Journal Original language: English

DOI: 10.1080/07494467.2014.959273Document Type: Article

Publisher: Routledge

References (40)

View in search results format

• All
 
• • Export |
  • Print |
  • E-mail |
  • Create bibliography

• 
  1

  Adorno, T.
  (1992) Mahler: A Musical Physiognomy (E. Jephcott, Trans.). Cited 125 times.
  Chicago, IL: University of Chicago Press
  

  •  
• 
  2

  Bakhtin, M.
  (1981) The Dialogical Imagination (C. Emerson & M. Holquist, Trans.)
  Austin, TX: University of Texas Press
  

  •  
• 
  3

  Barham, J.
  Programming Mahler: Meaning, re-description, and the post-Adornian counterlife
  (2011) Nineteenth-Century Music Review, 8, pp. 255-271.
  

  •  
• 
  4

  Baudrillard, J.
  The masses: The implosion of the social in the media (M
  (1985) Maclean, Trans.). New Literary History, 16 (3), pp. 577-589. Cited 27 times.
  

  •  
• 
  5

  Beiner, R.
  Walter Benjamin's philosophy of history
  (1984) Political Theory, 12 (3), pp. 423-434. Cited 10 times.
  

  •  
• 
  6

  Bishop, C.

  Antagonism and relational aesthetics
  (2004) October, (110), pp. 51-79. Cited 111 times.
  

  • View at Publisher
• 
  7

  Bourriaud, N.
  (1998) Relational Aesthetics (S. Pleasance & F. Wood, Trans.). Cited 6 times.
  Dijon: les presses du réel
  

  •  
• 
  8

  Bourriaud, N.
  (2001) Today's Art Practice (Transcript of A Lecture Delivered on 21 September 2001, Location Unknown)
  Retrieved December 1, 2012
  http://www.sanalmuze.org/etkinliklereng/nicolasbourriaod.htm
  

  •  
• 
  9

  Bourriaud, N.
  (2009) Altermodern Explained: Manifesto
  Retrieved June 1, 2011
  http://www.tate.org.uk/whats-on/tate-britain/exhibition/altermodern/explain-altermodern/altermodernexplainedmanifesto
  

  •  
• 
  10

  Coldron, J.
  (2010) Nelson Goodman's General Theory of Symbols: Can It Help Characterize Some Educational Concerns?
  August 25-27 Paper presented at the European Conference of Education Research, Helsinki, 1-18. Retrieved June 1, 2011
  http://shura.shu.ac.uk/2381/
  

  •  
• 
  11

  Collins, N.
  (2001) Introduction to Not Necessarily 'English Music' (N. Collins, Ed.)
  Leonardo Music Journal, 11, 1
  

  •  
• 
  12

  Deleuze, G.
  Deleuze on assemblages
  (2009) Interview with Giles Deleuze on A Thousand Plateaus and Assemblages
  Retrieved June 1, 2011
  http://larvalsubjects.wordpress.com/2009/10/08/deleuze-on-assemblages/
  

  •  
• 
  13

  Deleuze, G., Guattari, F.
  (1987) A Thousand Plateaus (B. Massumi, Trans.)
  London: Athlone Press
  

  •  
• 
  14

  Eco, U.
  (1992) Interpretation and Overinterpretation (S. Collini, Ed.). Cited 2 times.
  Cambridge: Cambridge University Press
  

  •  
• 
  15

  Fioretos, A.
  Contraction (Benjamin, reading, history)
  (1995) Modern Language Notes, 110 (3), pp. 540-564. Cited 5 times.
  

  •  
• 
  16

  Foucault, M.
  (1980) Power/knowledge: Selected Interviews and Other Writings 1972-1977. Cited 7117 times.
  (C. Gordon, L. Marshall, J. Mepham & K. Soper, Trans; C. Gordon, Ed.). Brighton and Harlow: Harvester Press
  

  •  
• 
  17

  Genette, G.
  (1997) Palimpsests: Literature in the Second Degree
  (C. Newman & C. Doubinsky, Trans.). Lincoln, NE and London: University of Nebraska Press. (First published 1982)
  

  •  
• 
  18

  Goodman, N.
  (1968) Languages of Art: An Approach to A Theory of Symbols. Cited 812 times.
  Indianapolis and New York: Bobbs-Merrill
  

  •  
• 
  19

  Goodman, N.
  (1978) Ways of Worldmaking. Cited 1083 times.
  Indianapolis, IN: Hackett Publishing Company
  

  •  
• 
  20

  Holm-Hudson, K.
  Quotation and context: Sampling and John Oswald's plunderphonics
  (1997) Leonardo Music Journal, 7, pp. 17-25. Cited 11 times.
  

  •  
• 
  21

  Iyall Smith, K.E.
  Hybrid identities: Theoretical examinations
  (2008) Hybrid Identities: Theoretical and Empirical Examinations, pp. 3-12. Cited 4 times.
  In K. E. Iyall Smith & P. Leavy (Eds.),. Boston, MA: Brill Academic Publishers
  

  •  
• 
  22

  Kapchan, D.A., Strong, P.T.
  Theorizing the hybrid
  (1999) The Journal of American Folklore, 112 (445), pp. 239-253. Cited 78 times.
  

  •  
• 
  23

  Kracauer, S.
  (1927) Das Ornament der Masse, (Parts 1-2), Frankfurter Zeitung 71
  (no. 420, June 9), Feuilleton 1; (Parts 3-6), Frankfurter Zeitung 71 (no. 423, June 10), Feuilleton 1-2
  

  •  
• 
  24

  Kracauer, S.
  Time and history
  (1966) History and Theory, 6 (6), pp. 65-78.
  

  •  
• 
  25

  Kraidy, M.M.

  Hybridity in cultural globalization
  (2002) Communication Theory, 12 (3), pp. 316-339. Cited 129 times.
  

  • View at Publisher
• 
  26

  Ling, L.H.M.

  Said's exile: Strategic insights for postcolonial feminists
  (2007) Millennium: Journal of International Studies, 36 (1), pp. 135-145. Cited 8 times.
  doi: 10.1177/03058298070360010901
  

  • View at Publisher
• 
  27

  Oswald, J.
  (1985) Plunderphonics, or Audio Piracy As A Compositional Prerogative
  Talk presented to the Wired Society Electro-Acoustic Conference, Toronto. Retrieved June 1, 2011
  http://www.plunderphonics.com/xhtml/xplunder.html
  

  •  
• 
  28

  Oswald, J.
  (2002) Interview by David Keenan in the Wire, 219 (1 April)
  Retrieved June 1, 2012
  http://www.electrocd.com/en/cat/seeland_515/critiques/
  

  •  
• 
  29

  Pieterse, J.N.

  Hybridity, so what? The anti-hybridity backlash and the riddles of recognition
  (2001) Theory, Culture and Society, 18 (2-3), pp. 219-245. Cited 112 times.
  doi: 10.1177/02632760122051715
  

  • View at Publisher
• 
  30

  Pieterse, J.N.
  (2004) Globalization and Culture: Global Mélange
  Lanham, MD: Rowman & Littlefield Publishers
  

  •  
• 
  31

  Ryan, B.
  (2009) Altermodern: A Conversation with Nicolas Bourriaud (March 17, 2009)
  Retrieved December 1, 2012
  http://www.artinamericamagazine.com/news-opinion/conversations/2009-03-17/altermodern-a-conversation-with-nicolas-bourriaud/
  

  •  
• 
  32

  Said, E.
  (1994) Culture and Imperialism. Cited 5240 times.
  New York: Vintage Books
  

  •  
• 
  33

  Shusterman, R.
  Rap remix: Pragmatism, postmodernism, and other issues in the house
  (1995) Critical Inquiry, 22 (1), pp. 150-158. Cited 9 times.
  

  •  
• 
  34

  Stallybrass, P., White, A.
  (1986) The Politics and Poetics of Transgression. Cited 1476 times.
  London: Methuen
  

  •  
• 
  35

  Textor, M.

  Samples as symbols
  (2008) Ratio, 21 (3), pp. 344-359.
  doi: 10.1111/j.1467-9329.2008.00406.x
  

  • View at Publisher
• 
  36

  Toews, J.E.
  Perspectives on 'the old history and the new': A comment
  (1989) The American Historical Review, 94 (3), pp. 693-698. Cited 4 times.
  

  •  
• 
  37

  Toews, J.E.
  Review: A new philosophy of history? Reflections on postmodern historicizing
  (1997) History and Theory, 36 (2), pp. 235-248. Cited 7 times.
  

  •  
• 
  38

  Toop, D.
  (2001) Not Necessarily 'English Music' (Leonardo Music Journal, CD Series Volume 11/ EMF CD 036)
  

  •  
• 
  39

  Wells, H.G.
  (1896) The Island of Dr Moreau. Cited 110 times.
  London: William Heinemann
  

  •  
• 
  40

  Wohlfarth, I.
  History, literature and the text: The case of Walter Benjamin
  (1981) Modern Language Notes, 96 (5), pp. 1002-1014. Cited 7 times.
  

  •  

  Barham, J.; University of Surrey, United Kingdom
© Copyright 2015 Elsevier B.V., All rights reserved.