Volume 47, 2012, Pages 674–678
Cyprus International Conference on Educational Research (CY-ICER-2012)North Cyprus, US08-10 February, 2012
Open Access
Abstract
The present paper will focus on three, specific musical examples, in order to show:
How the relationship between identity and otherness can be actually observed in a piece of music. Example
1) Stravinsky, Tango.How music can give voice to emotions that are others but not alien. Example
2) Debussy, Serenade for the Doll.How humour and playfulness in music can play down any rhetorical approach to the origin as “the true identity”. Example
3) Johann Strauss, Czardas from The Bat.
Wikipedia
Johann Strauss I (German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss, Sr., the Elder, the Father; March 14, 1804 – September 25, 1849) was an Austrian Romantic composer.
https://youtu.be/Rt5OR_YIRJQ
Nikolai Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков; IPA: [nʲɪkəˈlaj ɐˈndrʲejɪvʲɪtɕ ˈrʲimskʲɪj ˈkorsəkəf] (
listen) – римский, rimsky = English: Roman, Корсаков korsakov, possibly Tatar/Turkic = English: stomach – 18 March [O.S. 6 March] 1844[a 1] – 21 June [O.S. 8 June] 1908) was a Russian composer, and a member of the group of composers known as The Five.[a 2] He was a master of orchestration.https://youtu.be/HUDODgVVyBs
Johann Sebastian Bach[a] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period.
https://youtu.be/6vorVachqsQ
Procedia - Social and Behavioral Sciences
Open Access
Architecture and Music in the Baroque Period
doi:10.1016/j.sbspro.2012.08.215
Get rights and content
Under a Creative Commons license
Abstract
Volume 51, 2012, Pages 635–640
The World Conference on Design, Arts and Education (DAE-2012), May 1-3 2012, Antalya, Turkey
Procedia - Social and Behavioral Sciences
Open Access
Architecture and Music in the Baroque Period
doi:10.1016/j.sbspro.2012.08.215
Get rights and content
Under a Creative Commons license
Abstract
Open Access
Architecture and Music in the Baroque Period
doi:10.1016/j.sbspro.2012.08.215
Get rights and content
Under a Creative Commons license
Abstract
Volume 51, 2012, Pages 635–640
The World Conference on Design, Arts and Education (DAE-2012), May 1-3 2012, Antalya, Turkey
The
disciplines of architecture and music interact with each other
throughout history. Works of architecture and music are influenced by
the semantic and historic features of the period lived in. Composers and
architects create their works taking advantage of the stylistic or
conceptual data. In both of these disciplines ideas result in concrete
products by means of different tools.Baroque era covers the period from
1580 to 1750. In contrast to the balanced and rational attitude of the
Renaissance, during Baroque period dynamic, glitzy and dramatic elements
have been used. Features of this period are evident in architecture and
music as well as other branches of art.This research comprises the
examination of the effects of Baroque features on musical and
architectural pieces. The study addresses with examples the
architectural highlights of the Baroque era in Italy, and the art of
J.S. Bach's fugues.
The
disciplines of architecture and music interact with each other
throughout history. Works of architecture and music are influenced by
the semantic and historic features of the period lived in. Composers and
architects create their works taking advantage of the stylistic or
conceptual data. In both of these disciplines ideas result in concrete
products by means of different tools.Baroque era covers the period from
1580 to 1750. In contrast to the balanced and rational attitude of the
Renaissance, during Baroque period dynamic, glitzy and dramatic elements
have been used. Features of this period are evident in architecture and
music as well as other branches of art.This research comprises the
examination of the effects of Baroque features on musical and
architectural pieces. The study addresses with examples the
architectural highlights of the Baroque era in Italy, and the art of
J.S. Bach's fugues.
Andrew Lloyd Webber, Baron Lloyd-Webber Kt[1][2] (born 22 March 1948) is an English composer and impresario of musical theatre.[3]
https://youtu.be/FHPH3REXTEk
https://youtu.be/nWhOFnS2efM
“Love Never Dies” – Neither Does Sexism in Andrew Lloyed Webber’s Sequel to “The Phantom of the Opera”
http://www.careypurcell.com/?p=8526
Béla Viktor János Bartók (/ˈbɑːrtɒk/; Hungarian pronunciation: [ˈbeːlɒ ˈbɒrtoːk]; 25 March 1881 – 26 September 1945) was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century; he and Liszt are regarded as Hungary's greatest composers (Gillies 2001).
https://youtu.be/wmr0raiouPM
